Introducing New Book Coaching Options

Getting published can feel like taking a gamble and rolling dice. Sometimes, your number comes up; sometimes it doesn't. But there are ways to increase your chances. You can rework your story so it makes more sense, so the characters are more relatable, the plot more believable. You can get a better cover design or … Continue reading Introducing New Book Coaching Options

Under the Microscope is Back at A Writer’s Path

If you ever wanted a free critique to a beginning of one of your stories--if something is nagging you and you want a second pair of eyes, or if you just wanted to flex your writing muscles and help out another writer--then you'll be happy to know that the Under the Microscope feature on A … Continue reading Under the Microscope is Back at A Writer’s Path

Writing that Scene: “A Dog and His Boy”

In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what makes a scene powerful and memorable for readers. The goal of these posts is to provide an opportunity for authors to learn from each other and to see their own writing with fresh eyes. In my own experience, hearing what … Continue reading Writing that Scene: “A Dog and His Boy”

Writing that Scene: Superhighway

In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what makes a scene powerful and memorable for readers. The goal of these posts is to provide an opportunity for authors to learn from each other and to see their own writing with fresh eyes. In my own experience, hearing what … Continue reading Writing that Scene: Superhighway

Writing that Scene: 1001 Islands

In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what makes a scene powerful and memorable for readers. I'm happy to bring back the Writing That Scene feature with a first-ever examination of a contemporary author's work. Thanks, K. T. Munson, for having the courage to take the plunge. The … Continue reading Writing that Scene: 1001 Islands

Writing That Scene: Scaramouche

In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what it takes to make a scene powerful and memorable for readers. The opinion expressed is my own, and other readers’ opinions may differ. The goal is to provide a free opportunity for authors to learn from each other and to … Continue reading Writing That Scene: Scaramouche

Featured on “A Writer’s Path”

My post about using an omniscient narrator versus third person close narration is featured as the guest post of the day on "A Writer's Path." Please wander over there and enjoy all the writing tools Ryan has available. Personally, my favorite is Under the Microscope, where he looks at the first chapters of writer's works-in-progress … Continue reading Featured on “A Writer’s Path”

First Chapter Challenges

When reading Neil Gaiman’s The Graveyard Book (which I reviewed here), I almost didn’t make it past the first chapter. Not because the writing was bad, or the hook uncompelling, but for a variety of other reasons. I wanted to examine what almost made me close the book, because if they could get past all … Continue reading First Chapter Challenges

Writing That Scene: Can You Forgive Her?

In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what it takes to make a scene powerful and memorable for readers. The opinion expressed is my own, and other readers’ opinions may differ. The goal is to provide an opportunity for authors to learn from each other and to see … Continue reading Writing That Scene: Can You Forgive Her?

Writing That Scene: Villette

In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what it takes to make a scene powerful and memorable for readers. The opinion expressed is my own, and other readers’ opinions may differ. The goal is to provide an opportunity for authors to learn from each other and to see … Continue reading Writing That Scene: Villette