In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what makes a scene powerful and memorable for readers. The opinion expressed is my own, and other readers’ opinions may differ. The goal is to provide an opportunity for authors to learn from each other and to see “problem scenes” with … Continue reading Writing That Scene: Middlemarch
Category: Writing that Scene
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. If you are interested in sharing a scene of your own for a future post, click … Continue reading Writing That Scene: A Christmas Carol
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. This week, we’ll finish looking at A House to Let, a short story project by Charles … Continue reading Writing That Scene: A House to Let, Part Four
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. Over the last few weeks, we've been looking at A House to Let, a short story … Continue reading Writing That Scene: A House to Let, Part Three
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. Over the next few weeks, I wanted to look at A House to Let, a short … Continue reading Writing That Scene: A House to Let, Part Two
In the format of a non-traditional critique, Writing That Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. Over the next few weeks, I wanted to look at A House to Let, a short … Continue reading Writing That Scene: A House to Let, Part One
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. If you are interested in sharing a scene of your own for a future post, click … Continue reading Writing That Scene: Maid Marian
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. If you are interested in sharing a scene of your own for a future post, click … Continue reading Writing That Scene: The Portrait of a Lady
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. Thanks to Christina Wehner for suggesting this scene for this week’s edition. If you are interested … Continue reading Writing That Scene: Damsel in Distress
In the format of a non-traditional critique, Writing that Scene examines the fundamentals of what it takes to capably convey a scene to one’s readers. The opinion expressed is my own, and other readers’ opinions may and will differ. If you are interested in sharing a scene of your own for a future post, click … Continue reading Writing That Scene: Twenty Years After